Vol. 6 (2019): Brave New Worlds

Articles

• Ideological State Apparatuses in Dystopian Novels

  Kory Wise

  8-19

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• From Dystopia to Utopia Tonal Shifts and Perspective Change in H. G. Wells's The Food of the Gods

  Katie Patyk

  20-31

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• Ayn Rand's Utopian Visions in Theory and Realization

  Ben Sapet

  32-41

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• Native American Stereotypes in Literature The Noble Savage, the Utopian Man

  Katrina Brown

  42-53

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• The Formation of Separatism in Shelley's The Last Man A Struggle to Overcome the "Primitive" and Live in a World of the Abject

  Mikayla Davis

  54-62

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• Family and Feminism in Ursala K. Le Guin's The Dispossessed

  Natalie Kuss

  63-72

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• A Feminist's Call for Anarchy

  Marlee Jacocks

  73-88

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• An Inverted Dystopia Margaret Cavendish's Utopia, The Blazing World

  Julie Santini

  89-104

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• Divinity and its Imitation in the Utopian Visions of Death Note and Parable of the Sower

  Allison Akers

  105-118

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• Offred Versus June The Purpose of the Protagonist in The Handmaid's Tale

  Grace Goze

  119-129

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• Donors of the Floating World The Dystopian Livelihoods of Ishiguro's Clones and Yoshiwara Courtesans

  Marisa Sloan

  130-146

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• Pay-to-Play The Utopia for Capitalists in Black Mirror's "Fifteen Million Merits"

  Jacob Garrett

  147-160

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• Featured Artist: Allison Akers

  Allison Akers

  161-163

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