"Hood Politics"
Racial Transformation in Hip-Hop
DOI:
https://doi.org/10.33043/S.9.1.41-50Keywords:
music, philosophy, hip-hop, raceAbstract
This paper explores the possibility of music to transform
the way we understand each other. In particular, it looks at the
genre of hip-hop and the ways in which it can serve as a vehicle for
understanding black experience. I argue that hip-hop’s structural
elements allow artists to convey their living narrative in a way that
recognizes, challenges, and changes our conceptual understanding
of the black body. Using the works of Darby English and Harry
Nethery, I examine hip-hop and apply their arguments to two
specific rappers in order to illustrate my argument.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2016 Spradlin
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Stance requires right of first publication. All other rights reside with the author. Authors are free to reuse their own articles in other publications they write or edit, and no further permission is required. The journal only requires acknowledgement of the original publication in Stance.
All articles are licensed with a Creative Commons Attribution Noncommercial No-Derivatives 4.0 International license.