Topin, Ed., Oliver Stone'S U.S.A - Film, History, And Controversy
DOI:
https://doi.org/10.33043/TH.26.1.45-47Abstract
Oliver Stone, more consistently than any other director, has presented moviegoers, film critics, and historians-amateur and professional-with radical and challenging perspectives on pivotal events and themes in post-World War II American history. Avowedly not a "cinematic historian," a point Stone makes several times in this edited volume of essays about his work, he is intent on setting the record straight about the role of history in his films. As an historical dramatist, the films, he writes, are "fiction . . . based on a combination of research, intuition, and my private conscience."
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2001 Tom Pynn
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
By submitting to Teaching History, the author(s) agree to the terms of the Author Agreement. All authors retain copyrights associated with their article or review contributions. Beginning in 2019, all authors agree to make such contributions available under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license upon publication.